Release Date: November 2025
FHR 188
“The three members of The Brook Street Band perform with admirable engagement and subtlety here – robust where necessary, deft elsewhere – and have been most attractively recorded…This venturesome disc expands our appreciation of English instrumental music of the period in high style.”
Music Web International
Release Date: April 2024
FHR145
“… intriguing programme… This album should now offer him (de Winter) the wider recognition he deserves… one is immediately struck by the clarity and confidence of both voice and ensemble… … The two instrumental sonatas by Salomone Rossi are also particularly enjoyable and The Brook Street Band are on superb form… This is a very fine disc indeed.” Gramophone
Release Date: July 2022
RES10304
“It’s full of lively dances and arias and a few noisy, lip-smacking kisses…it fills a gap for students of the 18th-century English stage, but the commitment of these performers creates its own, wider pleasure.”
Fiona Maddocks, The Guardian
Release Date: May 2019
CDLX7361
‘It’s all sung with a suitable lightness of touch, with sparkling accompaniment from The Brook Street Band, all artfully directed by John Andrews.’
The Observer
Release Date: June 2018
AV2387
‘Hijinks from Handel … Lovely playing from the first sonata right through the last … the performances convince absolutely as does the recording. Add it to The Brook Street Band’s previous albums with complete confidence.’
BBC Radio 3 Record Review
Release Date: March 2016
AV2357
‘A birthday release that will invite many happy returns. The musical language is so second nature to the Band that its playing has the unbuttoned relish of musicians relaxing in a mother tongue. …an incisive verve prevails throughout the disc, buoyed up by a conversational attentiveness that never flags, and ensemble so pin-sharp it merits a safety warning.’
BBC Music Magazine
Release Date: March 2015
AV2321
‘…an impressive recording and some infectious music-making from two performers who clearly take great pleasure in playing together.’
Early Music Today
Release Date: October 2013
AV2282
‘These are grown-up performances from the Brook Street Band. Finely balanced, deliciously spiced, infectiously musical!’
Andrew McGregor, BBC Radio 3 – CD Review, November 2013
Release Date: May 2013
AV2274
‘…an absolutely superb performance here from the Brook Street Band and the Choir of Queen’s College, Oxford. …everything about this album represents British Baroque performance at its best.’
James Manheim, AllMusic.com, July 2013, 5-star Rating
Release Date: October 2010
AV2199
‘With unaffected performances of remarkable freshness and vitality… the exuberance is all BSB’s own. [Tatty] Theo’s bass is clear and firm throughout, providing a centre of gravity for violinists Rachel Harris and Farran Scott to really dance… The variety of string articulation together with [Carolyn] Gibley’s discrete harmonisations further serve both to enliven and to elucidate Bach’s musical arguments. Superb… This is a must-have album.’
Gramophone Magazine Editor’s Choice, William Yeoman, Gramophone Magazine, January 2011
Release Date: September 2008
AV2153
‘…Nicki Kennedy and Sally Bruce-Payne are superb vocalists, every English diphthong beautifully articulated, but the big hand belongs to the four-piece band… for the richness of their sound, a delight from start to close.’
Norman Lebrecht, Evening Standard, December 2008, 5-star review + pick of the week
Release Date: February 2007
AV2118
‘…The enterprising Brook Street Band… the infectious enthusiasm of these all-female virtuosi seems likely to bring them another Classic FM hit.’
Anthony Holden, The Observer, March 2007
Release Date: July 2005
AV2068
‘…the Brook Street Band. The smartest new baroque band around, they deliver these seven sonatas with consistent panache and musicality… if you need instant sunshine, play this disc.’
Geoff Brown, The Times, July 2005 4-star Rating
Release Date: November 2003
AV0028
‘The Brook Street Band… are gaining quite a reputation for their stylish and imaginative programmes. They bring a delightful freshness and lack of affectation… playing in a vivacious style… that makes it very clear that they are enjoying themselves. Their pleasure in the music is infectious.’
Gramophone Magazine Editor’s Choice, Stanley Sadie, Gramophone Magazine, February 2004